E Lynn Harris [photo courtesy of Sheletha Manuel] In the early 2000s, working for The Hollywood Reporter magazine, I was assigned to a pre-Grammy party at the Peninsula Hotel in Beverly Hills. My event-page editor and I hoped for the best. The press release for the party’s host, a soon-to-be-defunct monthly magazine headquartered in New York, was ambitious in the extreme. ‘Registered guests’ were to include Tyra Banks, LL Cool J, Justin Timberlake – a near impossible convergence of guests save for Governor’s balls, Clive Davis Grammy parties or Vanity Fair’s Oscar Party.
The Peninsula party was hosted poolside and none of the artists/registered guests from the press release showed. No more than 10 of us milled around the lit pool, eating sparingly from an embarrassment of food. I’d brought my buddy to the party; we introduced ourselves to everyone and decided to give it some more time until the party picked up. It never did.
Soon, the N.Y. magazine publisher tapped a glass and began to speak through a megaphone - in case the ten of us gathered by the pool couldn’t hear him within earshot (erm...we could).
I spent the remainder of the party with Larkin Arnold, legendary music producer of many artists, including Marvin Gaye and Luther Vandross. Mr. Arnold was with his wife and she was a fun, classy woman. We’d never met before and made the best of a potential PR disaster. The Arnolds were a master class in staying viable in Hollywood no matter what faction of the industry you were in: from music recording to publishing to agencies, it’s all relative in the end and you have to keep working/creating. I got shushed by an assistant with pleading eyes when I had the audacity to greet Nathan Morris of Boyz II Men while the publisher was talking into the megaphone and making no sense. Years earlier, at a taping for Michael Jordan at Chicago's United Center, Nathan hadn’t flipped out when I was accidentally rushed into a green room before Boyz II Men at a taping when they were the musical headliners. They are amazing vocalists and were as humble and low-key then as a No. 1 group could be. I remember being impressed by their collected calm and it was good to be able to shake his hand and mention that blip from years ago, even if we don't know each other personally. That's when I got shushed. We both laughed. It was comedy in the true sense where something is funny precisely because it’s not meant to be and the publisher spoke to his choir of assistants and staff for the next several minutes. I couldn't tell you what he said.
The night ended with the Peninsula Hotel being the place-mark of another assignment completed after-hours, made worthwhile by off-the-record talks with durable people decades into their careers. I was in it, but not exactly of it. I wasn’t lodging at this hotel; I could and would go home to dishes, stacks of magazines and five hours of sleep. It was worth it.
E Lynn Harris’s occasion last week at the Peninsula Hotel was to be a completely different experience, one of excitement and top-tier business to attend to. Mr. Harris was an author whose explorations of adult sexuality, same-sex and not, relative to Black protagonists (and antagonists) were genre-breaking and put him in at a plateau all his own.
His first novel, Invisible Life, was the mid-‘90s equivalent of Flowers in the Attic to a generation of readers: an old-school viral wave of word-of-mouth and excited testimonials. What some may have felt was lacking in strong writing ability never hampered his sales and 15 years later, in 2009, Harris was still a publisher’s and readership’s dream with an undimmed following.
E Lynn Harris had a Facebook account. Known for his personal touch with fans and for answering all of his fan mail personally, his profile page was a swirl of connectivity. I became one of his FB friends and was surprised it’d even happened, our six-degrees putting us in touch. We weren’t friends in the personal sense but as friends within the comforts of Facebook, along with over 3,800-plus of his friends. I had the bravery to tell him, after the end of my Hollywood Reporter years, that one of the things I was working on was a fiction novel of my own. He encouraged me and many people who shared the same thing with him. He would send replies to the briefest comment or greeting, always encouraging. In the publishing world, where so many people are in flux and no one really knows what anyone does or did anymore, the connection to such a genuine person was beyond refreshing. MediaBistro.com newsletters, while incredibly informative, are full of eyes-rolled jibes about the percentage of Hollywood’s unemployed suddenly at work on novels in unison. Writing without a work brand’s stamp of currency can be tricky territory. Every writer knows how serious they are or aren’t about their own work. E Lynn Harris’s ego-free joviality was a breath of fresh air and appreciated, coming from a former corporate executive who became a best-selling author. He’d written his own ticket. His Facebook tone was that you could do the same, too: all 3,000-plus of you.
I remembered my college literature teachers telling first-person stories of Gloria Naylor typing out The Women of Brewster Place at a kitchen table, announcing to her guest that, “Somebody’s going to buy this!” Ntozake Shange writing and staging For Colored Girls…. in between stage-changes at a bar in New York City and being ready when the opportunity came. Mr. Harris self-published Invisible Life in 1991 and sold it from his car and beauty shops before Anchor published him. This populist grasp was reflected in the personal tones of his status updates on Facebook, the most recent ones involving an upcoming trip to Los Angeles. He was looking forward to it, announced it on his FB wall, and his page filled with well-wishers.
Last week he made the trip, traveling to Los Angeles by train. E Lynn's assistant confirmed to the Associated Press of a momentary blackout he experienced while on the train. By Wednesday, July 22, 2009, Harris posted his arrival in Beverly Hills and said he missed Los Angeles sometimes, was enjoying the weather and looking forward to a meeting the next day. The replies to his status on his B page were plentiful. I offered my own comment that while L.A. was a bit moody with all the money in flux (read, recession), I hoped he would enjoy his visit here and raise a toast to himself. E Lynn was at the Peninsula Hotel, in town to promote his latest novel, Basketball Jones, and having a film meeting as well: all great reasons to be in L.A.
Thursday, July 23, his last status update asked his ‘FB family’ for prayers: he was having his film meeting shortly with an executive from the production company. He mentioned new cologne he’d bought the day before for the occasion.
Friday afternoon, July 24th, E Lynn Harris was the # 1 Yahoo! search term. It would have to be something monumental, for someone on the mass-media radar since 1994, to suddenly be the most-searched name online. The search results led with his obituary. Overnight.
Harris turned 54 a month earlier. From the vantage point of a Facebook friend, it was a shocking real-time ending to the steady, familiar narrative of a person sharing a real-life process with his audience. Status updates in the digital realm = self-actualization in action. It's relating to other how we’re leading our lives, what we’re feeling, doing and what’s happening since you last checked. The end of this connection due to E Lynn’s premature death became a seismic jolt for a network of thousands looking for their sincere avatar to keep winning.
Four days since his passing, E Lynn Harris’s Facebook page remains active with continuous posts bearing expressions from his friends who were cheerfully made to feel like they were. There will be no status update. The journey is over, save for his many legacies to his survivors, family, peers, students, loves and readers. We will have to figure it out in our own time and ultimately that will happen, as it always does, off-line. Update: As of December 26, 2010, Mr. Harris's Facebook page is still active, with over 3,161 friends. He is missed. - KG